The Problem with Flying Cats in Composites
Here’s what I want you to do…
Tonight, when you’re watching The Ranch on Netflix, which is one of my guilty pleasures, pause the show at any given point. Then look at what everyone’s doing.
If you don’t like The Ranch or don’t have Netflix, do this exercise with any show or movie you’d like.
I bet you wouldn’t see a single character looking at you, would you?
That’s because stories can’t be told when all the characters are looking back at you the viewer.
So, why then do we take portraits of people or families looking back at the camera smiling and call them stories?
Let’s dig into this and break down my latest Composited Portrait called “Launched”.
The Story Behind Launched
This portrait, as does every family portrait I create, first begins with a Discovery Session where I sit with the family and brainstorm ideas for their crazy family portrait.
For Eric and Sara, that meant including the house they were getting ready to move out of, their son Cale working on his BMW, and their cat taking a ride on the front yard swing.
The Concept Sketch as you can see is a lot like the storyboard you’d see from your favorite movie, and is used primarily to bring my client into the portrait experience.
Now, here’s the thing…
As photographers, and especially Composite Photographers who tell stories, it’s important we discard the traditional photography ideas of “smiling for the camera”.
No story worth listening to is told with all the characters looking back at you.
Imagine if Freddie Kruger was looking at you through the entire movie, or Luke Skywalker kept staring at you smiling through every episode, or Ricky Bobby never looked anywhere else through the entire movie but at you.
That’d be a little creepy wouldn’t it?
So, why then posing all our family portrait characters smiling at the camera?
The Composite Breakdown
It’s important to know that storytelling, like the Composites you create, is an art form requiring as much time and focus as your photography.
In fact, it may even take more time and focus than your photography.
Now, if you don’t care about telling stories in your Composites and like creating less than compelling images, that’s OK, but if you’re like me and want to create images that are different, you’re in the BEST place ever.
1. Eric & Sara
5. Richie the Cat
6. Ranger & Rosie
7. Margot the Cat
9. Tree #1
10. Tree #2
11. Background Trees
12. Background Trees
13. Granada Theater
14. Sky #1
15. Sky #2
16. Birds #1
17. Birds #2
18. Street Lamp
19. Bird Sitting
22. Windshield Wiper
32. Soccer Ball
33. Stuffed Unicorn
34. Family Photo #1
35. Family Photo #2
38. Large Hat
39. SMU Flag
40. Bush #1
41. Bush #2
Oh, About that Flying Cat
The only problem with a flying cat is that more Composited Portraits could use them.
I’d never done a flying cat in one of my portraits before, but I totally love the way it turned out and how it’s the center point of this family’s story.
Of course, I didn’t just add a flying cat because I thought it would look cool, but rather, I added it because that cat actually likes being swung around on that swing by those kids.
Here are the only 4 images I was able to capture of the flying cat.
My Famous Sneak Peek
As a Composite Photographer, one of the coolest things about Making Awesome Pictures is seeing the transformations from before to after.
So, let’s take a Sneak Peek and enjoy this moment together.
For me, the coolest transformations are frequently of the house and scenes I create.
Create Different Portraits
I know this is going to sound crazy, but humor me for just one image or portrait here to your benefit.
On your next Composite, don’t have any of your characters looking back at the camera.
That’s right, all your characters have to be engaged in the story you’re telling and NOT looking back at you, or me, the viewer.